Berikut ini cara pembuatan playlist untuk siaran dengan menggunakan rivendell , sengaja ana nukilkan sesuai bahasa aslinya,.. silahkan terjemahin sendiri…
Rivendell is a radio automation playout system. It contains some features you find in your typical commercial grade playout systems. In fact, Rivendell IS a commercial grade playout system. Just without the cost! I was made aware of Rivendell back in 2004 – at that time it was just starting to pickup some steam with the outside world. Rivendell was originally created for radio stations owned by Salem Communications. Unfortunately things did not work out in favor of Rivendell, and thus, it is no longer part of “Salem Radio Labs”. The automation package has matured very much since I first tried to get it running in 2004. People have created packages for various distros of Linux, including Fedora and Ubuntu. Rivendell was originally, and still releases packages for SUSE Linux.
A quick Google search this past weekend has proven to me the popularity of Rivendell is on the rise! Many more blogs, wiki pages and broadcasting tech forums are talking about Rivendell. I have even seen the playout system featured in a youtube video.
Today I am going to show you how to schedule music, or have Rivendell automatically generate playout logs based on your rules. For record, I am running Rivendell version 1.0.0 on Fedora Linux. At the time of posting this, version 1.6.0 has been released. If I upgrade, likely I will drop Fedora for Ubuntu. I promise to create a fully instructional, picture filled post if I do that.
Assumed is that you have Rivendell installed and running. I am going to show instructions for basic setup and importing cuts, since some users new to radio automation in general may find somethings strange.
Step 1 – Groups
Rivendell allows you to store your audio “carts” into groups. Typical groups could be something like Music, promos, legal ID, spots, etc. Lets get our groups setup here by running the RDadmin application. Use your administrator username and password specified at install. By default the user name is admin and the password is blank.
Now select “Manage Groups”, to….. manage your groups? Yes.
Most of the groups in my setup are included by default. I created “Temp” and “Locked” groups for my use. I use temp to dump lots of songs that are not ready to be played, but are in the system none the less. And I use locked for tracks that I don’t want to be played anymore, yet I do not want removed from the system yet.
You will need to specify a range for your groups. This is how many “Carts” can be in that group. Rivendell will allow a total of 999,999 carts. That’s a lot of audio! Each new cart will get assigned a summed number within that groups range. Example, first cart added to the Music group is cart # 010001, second is # 010002. Cart numbers help to quickly identify items, if not music then spots or jingles. You may notice that my created group “Locked” does not have a cart range. I did not feel it was necessary to waste a range for locked tracks. Since all the carts that are in this group have been moved from a previous group, they already have a number. Those moved carts will keep that original cart number. Rivendell by default will assign new carts the next available number, in specified import group. Carts in fact, can be any number in any group – never the same number twice. If anything, here I would suggest you change the range of Music to be bigger than the default range. OR, keep the default and change it later.
Step 2 – Scheduler codes
You can assign scheduler codes to your carts. This is not required, but if you want to enjoy the full benefits of the scheduler you will do this step!
This time select “Scheduler Codes”
Think of scheduler codes as tags orlabels you would assign to albums in your CD collection. Here I have a variety of codes that I use. I code my music by decade, and by music genre. I also have a code for songs imported from a lossy source (compressed mp3) and a non lossy source such as an uncompressed 16bit WAV. Note, you may want to choose if you want Rivendell to use MP2 or WAV to store your audio cuts. Sorry, no MP3
Multiple codes can be assigned to a single cart. So if you want to have a cart that is “90s” “Rock” from a “Loss” source material – I can do that. If there was a track that was considered Pop and also Rock, you could do that too. You will see how this pieces together in the following steps and create codes that fits your operation. Note, the code can not contain spaces or symbols. However the description can be whatever you want it to say.
Step 3 – Services
Some may argue that this step is out of order, and should be first. However I don’t care.
Please select “Manage Services” from the RDadmin app menu.
Think of a “Service” as a radio station. You must understand that Rivendell can run multiple stations (requiring multiple servers and computers!). Technically, this is the heart of the system. If this was a cluster of radio stations, RDadmin would be the main admin point for everything.
By default Rivendell creates the Production service. Here I left it in, but don’t use it. For my main music playout, it occurs under the “brettFM” service. The service called Time, is for a special macro firing time based log – nothing to do with this guide so ignore it.
Lets go ahead and create a brand new service by clicking the Add button
Go ahead and give it a name, you can use the Production service or past services as a template. Lets base this service on an empty config. Click OK
The service edit window will appear. Enter a description for the service. Then a log template name. When logs are generated this will be stamped to each one. I use %Y_%m_%d, so it stamps the scheduled date to the template name. When a log is generated for December 29th, 2008 it will be titled 2009_12_29. I suggest this setup, it is also set like this in the default, Production.
A group can be selected for Voicetrack cuts to be stored. If voicetracking is desired, go back and create a group called VT or voicetrack. Then choose it from the list on this screen. If the Music group is selected, recorded voicetracks will be included in the Music group. If old logs with voicetracking are not deleted, the old voicetracks will still be in the system. There is a very good chance that the next log generation will stick these old voicetracks into regular rotation – not ideal.
Check “Insert CHAIN TO at log end”. This will insure that at the end of log “2009_12_24″, Rivendell will load the next days log “2009_12_25″ – if, of course, it has been created.
Checking “Enable AutoRefresh By Default” should automatically update changes made via RDlogedit app. In this version at least, I have never seen Rivendell automatically append changes made to a running log. If this isn’t selected, Rivendell will make you hit a button in RDairplay to refresh a changed log. The button only appears when a change has been made, I like this way much better.
Now click “Enable Hosts”, this is kind of important.
In most setups there should only be one item in this list, however some users may have configurations slightly different. For the majority of us, our server is also our playout machine and everything else that Rivendell does. Ideally, there would be one main database server/ file server, an audio playout machine for each service, and some control workstations for control, log generation or importing/ editing audio cuts. Since we want our service “BLOG” to play audio from RDairplay, running on the very same machine – we choose localhost.localdomain or 127.0.0.1 or a custom name if specified in your distro setup. Just make sure it is under the enabled hosts list. Click OK to close this window, then click OK on the Edit Service screen, then click CLOSE on the Services window, then click QUIT to exit RDadmin.
Step 4 – Add carts
Now its time to run the RDlibrary app.
Don’t expect to see a list of free music to appear, this must be done by the operator – sorry. Select the Music group first, then click Add. This will set the new cart within the Music group cart range.
A new window appears, titled “Add Cart”. You can change the group if you didn’t want Music selected. Notice how the cart number will change to the next available number in each group. But yes, we still want Music selected, and this is an Audio cart. Leave the cart title the default entry for now.
Yet another new window to look at. Here is a “Cart” as defined by most modern automation systems. The term “cart” is short for cartridge, which comes from the old NAB tape cartridges that were highly popular before computer automation. On a cart tape, sometimes multiple takes of the same spot would be recorded next to each other, with a short gap between. The cart machine would play the first cut, a 2nd or 3rd cue track would tell the machine to stop at the start of the next cut (automatically cueing up the next cut, ready for playback). Then, the next time the spot was played, a different version would then play off the tape and so on.
Rivendell, like many others still use this same idea. A cart, can have multiple cuts or versions or takes. Each cut can have a weight to determine how often it plays in the rotation of other cuts in a cart. Cuts can also only play during specific times. That is as far as I will go into carts with multiple cuts. We are only going to use one cut in this cart. Every new cart by default will create one empty cut. Our job is to import audio into the cut.
Highlight the cut “Cut 001″ and select the “Import|Export” button.
In this window by default everything you see is checked. Rivendell will read ID3 tags and insert the text into the appropriate cart fields. To disable this, uncheck Import file metadata. I am keeping this checked. The autotrim level will cut out silence that falls below -60db at the beginning and end of the audio file. The audio is not removed, the start and end markers are adjusted automatically. I changed my level to -60db in RDadmin. Note: If it is changed in this screen, it will not remembered for the next import. Don’t change the level for Normalize, unless the source audio needs some extra gain or the audio interface requires it.
Click Select, and pick a file. I am not making another screen shot for this! (I picked an MP3 file that has an ID3 tag embedded). A progress bar in the above screen will show import progress. Note: Rivendell is converting whatever audio format imported the file is. If Rivendell is set for MP2 @ 128kbps, and anMP3 @ 128Kbps is selected, there will be further audio quality loss. If Rivendell is set at PCM16, there will be no additional loss to lossy source material. And near zero change to a lossless source in 16bit, however 24bit will dither down – best cast scenario.
Here is what happened after the import:
Rivendell took the fields from ID3 and inserted them into the cart fields. Notice that the Title and cut description will be the same in this automated process. Click Scheduler Codes and add what fields you find appropriate. Then click “Edit Markers”
In this window audio fine tuning controls are available. Most of these buttons are self explanatory. Select a control, then pick the location on the waveform where it needs to be. In the example I have 40 seconds of talk over, this will make the clock in RDairplay countdown my talkover length. Refer to Rivendell manual for further explanation. Click Save in this window. Then click OK to close cart edit window. You will now see the cart in the music library under the Music group. Now go ahead and import a lot more music, at least 50~100 songs.
Step 5 – Log creation: Events
This is where the building blocks of the log are put together. From end to start: A daily log is based on an hourly grid, per weekday. Each hour in the GRID is created from a CLOCK. Each section of the clock is created from an EVENT. And each EVENT contains carts.
Now select “Edit Events”
We need to create an event. I am going to keep things simple, and create an event called “All Music”. It will select audio from the Music group, with any scheduler code and a title separation of 100minutes.
So here is what I did. I selected the check box “Select from:” and specified Music group from drop down box. I then entered 100minutes for title seperation. This can be longer or shorter depending on how many carts you have. I left “Must have code” blank so it picks all codes under the Music group. I then selected “First cart has a “Segue” transition”, so cuts crossfade with each other during playout.
IMPORTANT. Click the button “Services List” and add the service we created back in step 3. In this guide I called the service BLOG, I did NOT add the default service Production. If you miss this step, there won’t be any music added in the end.
Click Save, Click OK.
Go ahead and Add another Event. We will call it TOH or TopHour. This event will play a hand picked top of the hour ID. The event will have a hard start time, and will make itself play next. This will effectively keep our clock on time. More on that in next step. Here is the TopHour event
Here I hand picked a cart from the left hand side in the LEGAL group. I dragged and dropped it into the Pre-Import list. I selected the check box, “Use hard start time”. This makes the event pay attention to its clock time position (next step). Selecting Make Next will actually bump carts out of the way in the log so that it plays closest to its clock position. If we checked “Start immediately”, the cart will cut off whatever cart was still playing during its specified time. I selected “Segue”, in case this event is able to play early. It will simply crossfade with the previous track. And roll on with the rest of the hour. Make sure your Service is enabled for this event. Click Save, Click OK.
This is enough to move onto the next step. As you experiment, you will see how many possibilities and different ways tasks can be accomplished. Note: You may click the Color button to give each event a color, this helps when making complex clocks.
Step 6 – Log creation: Clocks
Select “Edit Clocks”
Click Add, and give the clock a name. Technically, a different clock for each hour for each day of the week could be created. If you wanted a 90′s at 9pm on friday, this could easily be done in Grids (next step). For now, we will use the same clock all week, every hour. I am rightfully calling it 247. Click OK
Here it is, an empty clock. Type in 247 in the field labeled “Code:”. This can only be 3 digits. We will now add events to our clock. Starting with the top of hour ID. We will then add music events and adjust scheduler rules.
Leave the start time at 00:00 and change the End time to 00:10. Click select and choose the TOH or TopHour event that was just created. Remember, this is a hard, make next event. It will cue itself up as close to the top of the hour as possible. Extra carts will get skipped, and this will help keep the log on time. NOTE: This ID could also be located at the bottom of the hour instead. Use a start time of 59:50 and an end time of 59:59.
Click OK. You will see a small sliver, this is the event.
Now we are going to “fill” our hour will carts from Music group.
Click Add again.
This time we will select our event All Music. It is not hard timed, so it floats around. The start time is 00:10, because of the 10 seconds allotted for an ID. The end time is 03:00.
We will use mostly 3min blocks of the event All Music. We will also have 3 blocks that have a length of 6min. When the log is generation, this hour will be slightly overfilled most of the time. For the few times it is underfilled, a previous overfilled hour will make up the time. The entire broadcast day is balanced very well this way. You may want to experiment with different time spans. Here is what I did:
Now lets set some rules so we don’t have 5 80′s song play in a row (if you want to force a scheduler code, make a new event and select the code). Click Scheduler Rules
In my setup I have Rivendell separate songs by the same artist by 45 minutes. I don’t want more than 5 songs for 00′s to play in a row. Yet I don’t want a 70′s track to play after an 80′s or 60′s track. And to be sure, I wan’t there to be at least a 7 min before it thinks about possibly playing another one. I have loss and noloss set at 999, because I do not want any impact from those codes. NOTE: You can import rules from other clocks by hitting import. Click OK.
Make sure you have your Service enabled for this clock.
Step 7 – Log creation: Grids
Select Grids from the RDlogmanager app.
Select your service and click edit
Here is the grids. Like I said, each hour could be a totally different clock, with its own set of events. It’s all coming together now. Since we only have one clock, we will use it everyday, every hour. Click on the hour, then select the clock. Yes, each time. NOTE: If you selected a color for the clock, the button will be that color. Helpful when using multiple clocks. Make sure every hour has a clock assigned and click CLOSE. And also close service select screen.
Step 8 – Log Creation: Log Generation
OK. We are ready to generate a log! Click Generate Logs button
Click Create New Log
This process takes a few minutes. If it immediately finishes with “No Exception”, make sure you have all clocks and events enabled for your Service. Make sure your service is enabled for your host. Also check that your groups are allowed to use your service. Make sure a template name exists for the service.
If not enough music exists to satisfy the rules created a list of the broken rules will appear. This means Rivendell had to break a break, like artist separation to keep filling music. Either create less strict rules, or import more music.
You can now create the next days log in advance, create a weeks worth in advance. In AUTO mode Rivendell will run automatically for days as long as the next dates long is available.
Step 8 – Load your log
For a full time station, this is really only done once. After that, Rivendell links to the next days log, and so on and so on.
Click the button titled “Select Log”
Select the current days log that was just created. It will show old logs and future logs if created. Click “Load”
Since the log was most likely not load at 23:59:59, it will be many hours behind schedule. Use the hard time ID’s to help find the correct hour to catch things up.
We are pretty close to where the log position should be at. Highlight the song, then click make next. This will make the song and the remaining log next to be played.
Now either click Play, next to the Make Next button. Or the first green START button.
OK, not too bad. According to the next timed start. We are 14:28 over the ID to be played at 2AM. We can either delete a couple items, or just let the ID bump them out at 2AM.
NOTE: Using bottom of the hour ID’s, or timed macros – even log notes to double sync will make sure that the end of the current log gets trimmed. Be careful not to bump the log chain!
reposting dari sini : http://thebrettblog.wordpress.com/2009/12/31/rivendell-how-to-schedule-music/